Well, for those who might still pass by this blog, I apologize for my recent silence. I have been traveling for the last week or so and haven't been able to sit down and write (or respond to comments/emails). I hope to return to these dialogues (and write with some regularity) in the next few days.
For now permit me to ask one question. An acquaintance of mine who is a pastor (and who is, therefore, in much closer contact with churchy sort of people than I am) was approached by a fellow who asked him: “How do I know that I am a Christian?” Of course, the fellow was really asking this: “How do I know that I am saved?” but churchy sort of people tend to overlap the two (not entirely unrelated!) concepts.
As my friend related this story, I felt sort of surprised. Thinking: “Oh yeah! I remember I used to ask myself that question. Man, I forgot that Christians actually struggle with that.” So then I began to think about how I would respond to that question. However, before I write a post on the issue, I would like to ask my few readers:
“How do you know that you are saved?”

I was cruising some theology blogs last week and I stumbled upon an entry written by Shane Wilkins, entitled “Six Propositions on What Makes Good Theology” (this post was written on Dec 3rd, and can be found here: http://shanewilkins.blogspot.com/2006_12_01_archive.html). Now, it seems to me that Shane's entry aptly describes the elements that should be present so that a theological paper can attain a good grade… but I got to wondering if these six things were really the key elements of a good (Christian) theology. After some reflection upon these things, I have decided to post an alternate list. Without further ado:
1. Good theology is a transformative, embodied proclamation.
Contra Shane, I would like to argue that the goal of the theologian is not to persuade me that his or her theological theory is true. The goal of the theologian is to proclaim God. This proclamation is not simply (nor even primarily) a propositional proclamation; rather, it is one that is embodied in our day to day activities, priorities, choices, and relationships. Good theology is a lifestyle.
Furthermore, and in part because this is an embodied proclamation, this is also a transformative proclamation. To proclaim God is to be transformed into the image of God and to see the Spirit of God's cruciform power bursting into the world. Thus, this proclamation transforms (a) the people making the proclamation, (b) the people to whom the proclamation is made, and (c) the place in which the proclamation is made. This means that good theology will be missional. It also means that good theology will be doxological — it will be an act of worship and of faithfulness to the God who is hidden within the proclamation.
Finally, because good theology is a transformative, embodied lifestyle, it must always be seen as incomplete, as pressing ever onwards towards its goal, as moving into ever deeper intimacy with one's God and one's neighbour. Until the day when God is “all in all,” good theology will remain unfinished.
2. Good theology is a communal activity.
Despite the Academy's (and Modernity's) love of rugged individual experts, good theology is never something done by a solitary individual. Good theology occurs in the community of faith. It does not simply heed the opinions of “experts” and “theologians;” it is also aware of the voice of Spirit speaking through the single mother who comes to the Monday night prayer gathering, or through the voice of the alcoholic who comes in for a free meal on Wednesday night. Good theology is done in community and as community. Or, to employ a slightly different metaphor, the theologian is to be viewed simply as the mouth speaking on behalf of the united members of the body of Christ.
3. Good theology is contextual.
All theology is, inevitably, contextual. Good theology is aware of this and engages both implicitly and explicitly with issues of context. This has at least three major implications: (a) it means that good theology calls this community to act this way at this time; (b) it means that good theology takes especial care to address the particularly insidious blindspots of the time and place in which it discovers itself; and (c) it means that it enters into dialogue with other contemporary voices. Good theology should not, and cannot, attempt to formulate “timeless” propositions, or “universal” truths based upon claims of detached objectivity — in part because there is no such thing as “detached objectivity”!
4. Good theology is biblical.
Despite the importance of being aware of one's contemporary context, an awareness of the biblical narrative is even more foundational. Contemporary dialogue partners are important but dialogue with scripture is more important still because this dialogue is more fundamental to the creation of good Christian theology. This is so because, within the Christian tradition, the bible is the primary authoritative witness to the Word of God. It is the bible that provides the Christian with the story of God's activities (and incarnation!) within the world God has created. Therefore, good theology is theology that lives within the trajectory of the biblical narrative.
5. Good theology is historical and ecumenical.
I could, perhaps, restate this point another way and say that good theology is traditional. By using the terms “historical” and “ecumenical” I want to stress two things. First, I use the term “historical” because all good theology is born out of the traditions of the Church — it does not simply appear out of nowhere. Therefore, it is essential that those who engage in theology are aware of what has been taught and believed by the saints who have gone before (in part because this is an especially useful way of becoming aware of contemporary blindspots, and in part because the Spirit has been active and present in the words and deeds of the Church from Pentecost until the present day, and one would be a fool to ignore that witness).
Second, I use “ecumenical” because good theology must enter into dialogue with the various Christian traditions. Good theology will listen to Roman Catholic, Protestant, Eastern Orthodox and Anabaptist voices. It will dialogue with contemplative and spiritual voices and with practical and political voices.
It is the recognition of the authority found in these traditions that also prevents good theology from simply blown here and there by whatever contemporary issues happen to be “hot” or urgent or whatever. Furthermore, it is this dialogue with the traditions of the Church that is continues to mark Christian theology as Christian theology.
6. Good theology is trinitarian.
As stated previously, good theology proclaims God. However, the God of Christianity is uniquely revealed as a Tri-unity, as Father, Son, Holy Spirit. Therefore, theology must consistently be faced with the question of what it means to proclaim a God who is known in this way.
However, to say that God is known in this way is slightly deceptive. For any notion of three-in-one, leads, inevitably, to the admission of mystery and God's transcendence. Thus, the fact that good theology is trinitarian, also leads us to the admission that good theology is also humble and proclaimed in utter reliance upon the One who is the subject of that proclamation.
Summary
If we were to boil all of this down to one sentence we could define good (Christian) theology as follows:
Good (Christian) theology is the embodied communal proclamation of the Christian God within the contemporary context, founded upon the biblical narrative and the traditions of the Christian Church.

When we go to the poor embodying the proclamation that, yes, they are forgiven, they are embraced they are beloved by God — even now, already, at this very moment — then perhaps they will find it in their hearts to forgive us for our apathy and for all that we have taken from them.
The problem is that we have been inclined to view ourselves as the forgiven — instead of as those in need of forgiveness — and we have made God's free offer of forgiveness conditional. Instead of proclaiming, “God has forgiven you!” we have said, “God will forgive you if…”. Instead of saying, “Please, forgive us!” we have said, “Clean up your act and we'll put up with you on Sundays.” And in this way we go from being lights to the world to being fires that burn ourselves and those around us.
Lord, forgive us, and help us to know that we cannot ask for forgiveness from a crucified Lord without seeking forgiveness from the crucified people of today.

I remember Wesley's old saying, “If I should die with more than ten pounds, may every man call me a liar and a thief,” for he would have betrayed the gospel.
~ quoted by Shane Claiborne in The Irresistible Revolution.
I've been thinking about materialism a bit these days. No, no, not just the general materialism of our society (who is not thinking about that? Being anti-materialism is hot these days!), but I've been thinking about my materialism — about the number of books I own, about the CDs I just bought, and so on and so forth. I find that this line of thinking is less popular than general critiques of “the materialistic West,” and it's easy to understand why. Because it requires me to start living differently and less “comfortably” (although, perhaps, more freely).
As I have been thinking about my possessions, I have also been thinking about how the Christian life is a life that should be lived along the lines of a certain trajectory. I call this trajectory the road of cruciform love — the road of the cross. Now, this road should impact all areas of our life. Following the road of cruciform love has just as much to do with how I spend my money, as it has to do with how I make my money. However, like any journey, it takes a number of steps along the way to get to the cross. Jesus didn't start on the cross, but he did take concrete steps along the way that anticipated that goal, and ensured that he ended up there. Similarly, we don't have to force ourselves to try and live as we will at the end of the road — but we do need to take steps right now that anticipate that goal, and ensure that we get there.
And so, as I think of these things in light of my materialism, this is what I hope to do. I hope, in conjunction with an intentional Christian community, to map out a road that would see all of the members arrive at a place where they no longer have personal possessions (except, perhaps, the clothes that they wear). Of course, within a community house it is easy to simply give one's possessions to the community house (and thereby not really lose anything). So I would also like to, with that community, map out the ways in which the community can live together simply. Of course, because I am not yet in that type of community, there are still steps I can take to make that transition easier. I can begin to scale back what I already own, and I can read more books from the library, instead of buying them all.
I suppose that that's about where my thinking is at on this subject these days. Suffice to say that I feel a great amount of dis-ease in relation to the amount of things that I own, and I would like to pursue another way of living. I would be curious to hear about steps that any of my readers take to confront their materialism (and not just the materialism of our general culture).

I have often wondered about the accolades that go to actors in Hollywood for playing certain roles. Two examples come to immediately to mind: Felicity Huffman was recently widely applauded for her portrayal of a pre-op male-to-female (MTF) transgendered person in the movie Transamerica and, not so long ago, Tom Hanks won an Oscar for his portrayal of a man with a mental disability in Forest Gump. Thus, in the first instance, we have a woman portraying a person born male who is transitioning to being a female, and in the second case who have a person with a normal intelligence, portraying a person with a “low IQ.”*
This then is my question: why wouldn't the movie studies hire an actual pre-op MTF person to play the first role, and an actual person with a mental disability to play the second role? There are, after all, aspiring actors who possess these characteristics. I wonder what this says about Hollywood's (and, by extension, popular culture's) attitude to people with these characteristics. Is it possible that, even as we produce movies that are intended to increase audience sensitivity to certain issues, we are actually promoting the marginalization of said individuals?
Now I realize that acting is about entering into the role of a fictional character and thereby becoming somebody or something that you are not. I mean, I don't expect Hollywood to only film soldiers as soldiers, or doctors as doctors, or whatever. However, there is something about the first two examples that irks me. Perhaps another example might help explain this. Imagine, if you will, a white actor being hired to portray a black hero — say Brad Pitt is hired to play Martin Luther King Jr. Now, do we think that Pitt would be widely applauded for playing this role? I suspect not. Indeed, I suspect that there would be a rather large outcry from the black community. I suspect that hiring Pitt to play that role would be seen as (at best) highly insensitive, and (at worst) as blatantly racist. Heck, I suspect that Pitt, and any other white actor, wouldn't touch that role with a ten foot pole.
Thus, when we read our first two (real) examples in light of this (fictional) example, my suspicion is that similar complaints have been voiced by the transgendered community, and by the community of people with disabilities — but I suspect that they, by and large, lack media attention and lobbying power in Hollywood and so those complaints have gone unheard.
I suppose I will have to ask my friends who are involved in those communities what they think about these things. I would, however, be curious to hear what any readers think about this (if y'all even care).
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* I also wonder a little bit about the way in which Hollywood seems to be enamoured by “beautiful” people playing “ugly” roles. After all, both Hillary Swank (in Boys Don't Cry) and Charlize Theron (in Monster) were awarded Oscars for playing characters that required them to disguise their beauty. Would more “ugly” women have received such accolades if they had portrayed these characters convincingly?