Well, I’m in full swing writing my next two chapters, but I did manage to finish off a few things.
1. Commonwealth by Antonio Negri and Michael Hardt.
I haven’t come across any really positive reviews of this book (John Gray, for example, finds it hardly even worth discussing). However, I’m going to go out on a limb and state that I really did enjoy it. In fact, I’ve enjoyed this entire trilogy (Empire, Multitude, and finally Commonwealth) quite a lot. In the first volume, the authors explore the rise of the transnational empire of global capitalism. In the second volume they look to the multitude — the plurality of subjectivities working together towards a better life free from the constraints of empire. In this final volume, they look at those things which both work against and towards the creation of “the commons” as a way of structuring life together outside of the constraints of private propety. Of course, I’m aware of the criticisms raised against Hardt and Negri’s project. Yes, they repeat themselves a fair bit. Yes, they can be frustratingly vague or overly simplistic in their analysis and in their proposed solutions. Yes, they can be overly romantic. Fair enough.
However, despite these criticisms, there is a lot of real value in this volume. In particular, I really enjoyed their reflections on the development of parliamentary democracy as the republic of capital, their desire to have resistance movements move beyond identity politics, their cautious suggestions about the need to institutionalize the revolution, and their restoration of love to this conversation. Further, although their concluding remarks about joy and laughter have been treated disdainfully by others, it is interesting to note a point of resonance with the Latin American liberation theologians. Something worth pursuing further, I reckon.
Anyway, this book and the whole trilogy are recommended reading. They provoke a lot of good thought and have the potential to open up positive trajectories in a person’s life. I know they have had that impact upon me.
2. Pierre-Joseph Proudhon by George Woodcock.
After reading Kropotkin’s autobiography last year, I decided I would (very slowly) begin to work my way through biographies related to the birth of the anarchist movement. I finished a biography of Herzen last year, and this book on Proudhon was the next installment.
It was a very good book. Woodcock knows his subject matter very well and is able to relate the events of Proudhon’s life (during the fall-out of the French Revolution and Jacobinism), demonstrate the ways in which his life and writing are interconnected, and explain the (sometimes complex) social and economic theories Proudhon developed.
I must say, I am more than ever convinced that anarchism is the best way of trying to organize our life together. It seems to me that it has the possibility to attain to the goals of both democracy and communism, while avoiding both of their flaws. And, as far as I can tell, it also seems to be in keeping with the way of Jesus Christ.
Recommended reading, for those who desire to learn more about these things.
3. Within a Budding Grove (In Search of Lost Time Vol. 2) by Marcel Proust.
I really enjoyed this installment of In Search of Lost Time. I think I’ve become accustomed to Proust’s narrative voice and his long, tangential sentences. His insight into our interactions with others, our perceptions of ourselves and even his way of describing and exploring what it is like to get drunk and lose oneself in the company of others are all really delightful. A few samples:
Each of our friends has his defects, to such an extent that to continue to love him we are obliged to console ourselves for them–by thinking of his talent, his kindness, his affection–or rather by ignoring them, for which we need to deploy all our good will. Unfortunately our obstinacy in refusing to see the defect of our friend is surpassed by the obstinacy with which he persists in that defect, from his own blindness to it or the blindness that he attributes to other people. For he does not notice it himself or imagines it is not noticed. Since the risk of giving offense arises principally from the difficulty of appreciating what does and does not pass unnoticed, we ought at least, from prudence, never to speak of ourselves, because that is a subject on which we may be sure that other people’s views are never in accordance with our own.
And here’s a quotation which I think would be worth comparing to Rilke’s opening lines in his first Elegy:
For beauty is a sequence of hypotheses which ugliness cuts short when it bars the way that we could already see opening into the unknown.
And here’s one on drinking:
I was enclosed in the present, like heroes and drunkards; momentarily eclipsed, my past no longer projected before me that shadow of itself which we call our future; placing the goal of my life no longer in the realisation of dreams of the past, but in the felicity of the present moment, I could see no further than it. So that, by a contradiction which was only apparent, it was at the very moment in which I was experiencing an exceptional pleasure, in which I felt that my life might yet be happy, in which it should have become more precious in my sight, it was at this very moment that, delivered from the anxieties which it had hitherto inspired in me, I unhesitatingly abandoned it to the risk of accident. But after all, I was doing no more than concentrate in a single evening the carelessness that, for most men, is diluted throughout their whole existence.
One more:
“There is no man, ” he began, “however wise, who has not at some period of his youth said things, or lived a life, the memory of which is so unpleasant to him that he would gladly expunge it. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man–so far as it is possible for any of us to be wise–unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young people, the sons and grandsons of distinguished men, whose masters have instilled into them nobility of mind and moral refinement from their schooldays. They may perhaps have nothing to retract from their past lives… but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We do not receive wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can make for us, which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world… I can see that the picture of what we were at an earlier stage may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not repudiate it, for it is a proof that we have really lived.
I’m very glad I decided to read this hell-damn-ass long book. Hopefully typing out these quotes might inspire a few others to do the same.
4. The Wasp Factory by Iain Banks.
For some reason, this book got mentioned a few times in things I was reading. I had heard that Banks was sort of being represented as the current voice in Scottish literature and that he was utilizing some elements of Scottish horror or macabre. When I was very young I remember looking at a collection of Scottish ghost stories my Grandfather had and my Scottish relatives also had some… interesting… ghost and alien stories of their own. So I thought I would check out The Wasp Factory.
The story itself was decent — it’s about a young boy who is some sort of sociopath (he has killed three other children, as he lets you know early on) and what happens when his older brother escapes from an insane assylum and begins to work his way back home. A lot of reviewers seem quite appalled about all of this, and the way in which it is related, but I wasn’t too put off by the subject matter. I suppose I have encountered enough appalling things in real life. That said, I found the ending to be fairly disappointing. The big twist at the end was decent enough but then Banks seemed to feel the need to psychologize and explicitly explain how everything was related to that twist. To me, that felt like he was overdoing things. The reader should have been able to make the connections he makes and I think the story would have been better served if he left a lot more unsaid at the end.
As I was reading, I was thinking that the narrator’s voice sounded a lot like the voice employed in Ender’s Game (which I reviewed a month ago). Couple that with Banks’ remarks in the preface that he wanted to be a science fiction writer and it has left me wondering if there is a certain (juvenile?) voice that is common to that genre. Then again, maybe the similarity is that both books are about young males with sociopathic tendencies.
All in all, I don’t think this book was all it was cracked up to be. Pretty ho-hum.
Monthly Mix-Tape
1. Handel, Lascia Ch’io Pianga (stumbled onto this stunningly beautiful song thanks to the first five minutes of Triers’ “Antichrist”); 2. A Perfect Circle, The Nurse Who Loved Me; 3. Edward Sharpe and the Magnetic Zeros, Black Water (going to see this band later today!); 4. Roky Erickson with Okkervil River, Goodbye Sweet Dreams; 5. Great Lake Swimmers, Various Stages; 6. The National, Vanderlyle Crybaby Geeks; 7. Shearwater, Black Eyes; 8. Mumford and Sons, Sigh No More; 9. Band of Horses, On My Way Back Home; 10. MGMT, I Found A Whistle; 11. Pink Floyd, Pigs On A Wing.
May 2010
Note to self…
…when breaking police lines it is not a good idea to put your hand near the gun of the police officer with whom you are struggling. This is something to keep in mind as people pushing from behind you can throw you off balance and your hands might end up going where you don’t intend them to go. Oops.
7. What Would You Do?
[It has been awhile since I posted anything in this series, but it is one of my favourite things to do with this blog. I think it is an important exercise in creative thinking. Often we will encounter events or people in life and, because they are new to us, we are unsure of how to respond. Only after the fact do we tend to think, ‘Shit, this is what I should have done…’. Therefore, I think these exercises can help prepare us to be more conscious to some of these situations, especially, given my own focus, to situations involving street-involved people.]
About a month ago, I stopped into the small coffee shop close to my work to get some caffeine before my shift started. When I entered the shop I noticed a young woman and a security guard standing by the bar and I originally thought that they were both waiting on drinks (no security guards work there, but they do have an office close by — I work in a bit of a sketchy neighbourhood). However, I soon realized that the security guard had been called into the shop because the young woman (about 20 years old?) was acting strangely and aggressively. She was talking to herself, posturing, and going through a wallet — throwing most of its contents into the garbage. Both the security guard and the girl working at the shop seemed at a bit of a loss as to how to respond to this situation. The guard tried speaking to her, but she ignored him. I ordered my coffee and as I waited I noticed that the young woman was not wearing any shoes or socks and that she was also wearing what appeared to be pajama bottoms.
So, what would you do if you were me? Don’t tell me what you think would be a good thing to do, or what you would want to do. What, if anything, do you think you would actually do?
Textual Criticisms and the Meaning of Life
Historical Criticism: Your life is lived in context and understanding that context with all it’s various aspects (political, social, religious, cultural, historical, economic, relational, familial, linguistic, and so on) will allow you do realize why you live the way you do. Good luck with that.
Source Criticism: Your life is actually a corrupted and altered version of prior lives and of the original source of life. The key to understanding what is important about your life is finding ways of tracking what parts of that source has remained pure and unaltered in you (the genetic code for your dominant brown eye colour, perhaps?).
Redaction Criticism: Outside voices have unduly influenced your life and changed you from the original version of yourself. In order to restore your original self, you must discover and cut out those parts of you that have been influenced by others (red, pink, gray, and black beads can be employed in order to figure this out).
Literary/Narrative Criticism: Your life has a beginning, middle, and end. It also has a cast of characters who play various roles. Therefore, what is of ultimate importance about your life is not your life itself but the stories you tell yourself about your life. So, get storied and feel free to use your imagination (I’m testing this one out on my son — by the time he’s five he’ll be thinking I’ve gone to the moon, battled Norse dragons, traveled through time, and gave up a career as an underwear model in order to serve others… I love my life as narrated by me).
Feminist Criticism: A lot of things in life look like penises. This is not a good thing… unless that penis-shaped object vibrates (in which case it’s use could be liberating instead of oppressive). If you happen to have a penis-shaped object attached to your body, you will need to take certain measures in life to ensure that you don’t fall into the culturally and historically conditioned habit of abusing people who don’t have penis-shaped objects attached to their bodies. If you don’t have such an object attached to your body, you’ll still need to become aware of the ways in which you have internalized a penis-shaped mentality.
Reader-Response Criticism: Your life means completely different things to different people. Stop worrying about that and accept it is a good thing.
Theological Interpretation: God is the meaning of your life, the universe, and everything. This is true regardless of what actually happens in your life.
Others? Queer Theory? Counter-Imperial hermeneutics? Feel free to throw something down in the comments.
How to Write a Thesis…
…or at least this is how I do it.
Given that some people have asked me about the method I use to write, I thought I would write my process down here. I would be curious to hear how it compares to others. What follows could be employed for everything from writing term papers to writing books.
(1) Thesis Question
As soon as you know that you will be writing, begin to think about a question or an argument that interests you (if this is for a term paper, begin thinking at the start of the course, if it’s for a Masters thesis, begin thinking at the start of your degree).
(2)Rough Outline
As soon a you think of a question or argument that interests you, begin to compile sub-topics and necessarily related questions into a (very rough) outline.
(3) Research
Research like a crazy motherfucker. Seriously. You need to demonstrate a comprehensive knowledge of your topic (or as close as you can get to that) so bury yourself in the appropriate literature. However, you also need to be creative so read widely. If, for example, you are writing on the question: “Is there a counter-imperial element to Paul’s writings?” then you need to know the ins-and-outs of Pauline scholarship. However, it’s also very useful to read what others outside that guild have written about Paul. This is because so-called outsiders sometimes glimpse elements that ‘insiders’ overlook. Further, read others who have written on this topic (say on counter-imperial politics more generally) as they will enrich your reading and your thinking. So, to continue the example, it’s worth looking at the liberation theologians and the ways in which they employ the biblical texts, it’s also a good idea to look at what social and political theorists have written on the subject, and so on.
As you research, continue to expand or correct the (very rough) outline you created. You will discover sections that you need to add and you might wish to drop other sections that you discover to be no longer relevant. You will also discover that you may need to tweak the order of your various sections. It’s always good to ask yourself: “Why does this section follow from the prior section?” Additionally, you may find that your original thesis question was too vague or not really where you want to go, so you should clarify that while engaging in this research.
It’s also good to go back over things you have already read in order to see how your prior readings apply to your thesis (after all, you’ve probably already been reading around this topic, if it is something that interests you). This is why it’s useful to build a library and read every book with a pencil in order to trace arguments and note areas that jump out at you. Referring back to your own library allows you to do a lot of research very quickly.
In this raw research phase, I tend to type quick bullet notes and leave these notes organized first by author then by book (this comes in handy later).
This stage takes the bulk of my total writing time — probably about 60% of it.
(4) Organize your notes: Part I
Once your research i done, your general outline should be pretty clearly established. You should know the flow of your argument and all the major sections contained therein.
So, at this stage, I print off my rough notes and go back and use a pen to write in the margins beside each bullet point what section that point belongs within. I then create a new text document, with all my section headings and cut and paste the notes into their relevant sections. While cutting and pasting, I also underline the key words or points made in each note so that I can easily see what is important.
(5) Organizing your notes: Part II
With this done, I turn to my first major section and once again print a hard copy of the document. I then look at the various subsections that make up that section and, once again, write that in the margin next to each bullet. I then repeat the process of creating a new document, with all the subsections marked and cut and paste the bullet points into their appropriate spots. As you do this, you may find some points that actually fit better into other major sections and so you can move these around accordingly.
(6) Organizing your notes: Part III
The flow of your argument, and what you want to write, should be getting increasingly clear at this point but there is still one more stage to go. Once again, I print off a hard copy of each subsection and, using a pen, I mark the key point or theme of each paragraph within that subsection. Then, creating another text document with each paragraph labeled, I go back and cut and paste the bullet notes into their appropriate paragraphs. Again, because your argument is getting clearer all the time, you may find notes that fit better in other sections, so make sure to take the time to cut them out and move them to that place.
At this stage your argument should be crystal clear. You should know exactly what you want to say and you should know why each section follows each other section, why each subsection belongs where it does, and why one paragraph leads to the next. I realize that this is a painstaking process but it really pays off not only in terms of the richness of your own thoughts (you’ll have spent a lot of time thinking about what you are going to write by this point) but also in terms of the clarity of your writing. Clarity is priceless — it’s the difference between a B grade and an A grade (regardless of how ‘smart’ your argument is).
Also, given that this takes time, and given that you won’t always be writing but will probably want to takes some breaks to read (and eat and sleep and all that other stuff), it’s a good idea to continue doing some reading around your topic while engaging in these last three stages. It’s easy to continue adding notes to various sections as you organize them. This will continue to enrich your paper and will allow you to stay on top of any new scholarship that appears in your field while you are writing.
Stages (4)-(6) of of this process probably take 25-30% of my total writing time.
(7) Write!
Now you know what you want to say and when you want to say it, so all you need to do is say it. Once again, I print a hard copy of my now extremely well organized notes and I write a first draft, working from paragraph one, of subsection one, in section one, all the way through to the end.
Of course, sometimes writing comes more naturally than at other times and so, if you ever start feeling blocked or too tired to start a new section or continue whatever part you have in progress, it’s nice to give yourself a break by going back and rereading and editing a previous section. If you do this as you write, you will have already edited your thesis several times before you even finish it.
At this point, because everything is organized very thematically, it is handy to also have a copy of your very first rough notes (organized by author and book) because referring back to that will ensure that you don’t quote somebody out of context, and it will help you to remember the broader arguments of the authors you decide to engage in more detail.
Again, you can still continue to read literature that is relevant to your subject as you engage in this process. However, at this point, I tend to focus my reading on sections that I have yet to write.
(8) Edit
You have now completed a very polished draft of your thesis (given the multiple edits you did while writing). However, I still go over the whole thing at least two more times after I finish writing.
Once those edits are done, I will put everything down for a week and try not to think about it. Then I will go back to the thesis and edit it twice more. This will help me to see points where my thoughts are either unclear (perhaps they are clear to me, because I’ve been buried in this subject for a year, but I need to ask if they are clear to the reader who is picking this thesis up for the first time) or where they need to be refined.
And that’s it. Given all the prep work, the writing and editing tends to go quite quickly for me. I would estimate that steps (7)-(8) take about 10-15% of my total writing time.
So, voila, follow these steps and you should get a 4.0. Not only that, you may find that somebody wants to publish your thesis.